2023
Fabric dye on canvas, Steel, Cement
Install shot at solo exhibition ‘Where, if not faraway, is my place?’ at Union Pacific Gallery, London
Cement
36cm x 22cm x 8cm
Fabric dye and pigment of canvas, Steel
170cm x 80cm
2023
2023
Fabric dye on canvas, Steel, Cement
Three-part installation
Install shot at solo exhibition ‘Where, if not faraway, is my place?’ at Union Pacific Gallery, London
2023
23cm x 15cm x 3cm
Cement
Fabric dye and pigment of canvas, Steel
170cm x 80cm
2022
Cement, Fabric dye
22cm x 36cm x 4cm
2023
Cement, Steel
Fabric dye and pigment of canvas, Steel
170cm x 80cm
2022
Fabric dye and pigment of canvas, Steel
170cm x 80cm
2022
Fabric dye and pigment on canvas, Steel
150cm x 70cm
2022
Fabric dye and pigment on canvas, Steel
150cm x 70cm
2022
Concrete
37x28cm
These concrete pieces were made in response to a poem by Mohammed El Kurd and in mourning of the destruction and the Palestinian lives lost in the on-going occupation. They are counter-monuments, memorialising the past by activating the present. A form of remembering that interrupts the passive silence of memorial.
Concrete
30x28.5cm
Fabric dye and pigment on canvas, Rebar Steel
150cm x 70cm
2021
Fabric dye and pigment on canvas, Rebar Steel
150cm x 70cm
2021
Fabric dye, pigment and acrylic on canvas, Rebar Steel
270cm x 150cm
2021
2021
Fabric dye, pigment and acrylic on canvas, Steel, Concrete
300cm x 250cm x 250cm
Fabric dye, pigment and acrylic on canvas, Steel
Fabric dye, pigment and hand-embroidery on canvas, Steel
250 x 145cm
Install shot at San Mei Gallery, ‘Thought Threads’
Thought Threads is a group exhibition of textile-based works by artists Nour Jaouda, Emily Moore and Gal Leshem. The exhibition proposes a dialogue around the artists’ shared focus on materiality and the tactility of fabric as means to approach a diverse set of concerns including cultural identity and notions of belonging.
Fabric dye, pigment and hand-embroidery on canvas, Steel
270cm x 100cm
Fabric dye, pigment on canvas, Steel
2020
Acrylic, fabric dye, hand-embroidery on printed canvas, Steel
This textile installation was exhibited at the WIP exhibition at the Royal College of Art.
Acrylic, fabric dye, hand-embroidery on printed canvas, Welded steel
Low-relief ceramic, steel
Mixed media. Arcylic, fabric dye, pigment on printed canvas.
Experimental samples of different textures, pigments, dyeing and mark-making techniques.
‘There is no ceiling for the wind, no home for the wind. Wind is the compass of the stranger's North… He says I am from there, I am from here, but I am neither there nor here’ Mahmoud Darwish on Edward Said
Acrylic, ink and watercolour on paper
21cm x30cm
Colour experiments, Fabric dye and pigment on canvas
30 x 40cm (Left) 50 x 70cm (Right)
Printed canvas, acrylic, fabric dye, steel, concrete
This textile installation is a hand-embroidered response to an experience of alienation and of eventual belonging in the shared ritual of Friday prayers.
It is an aesthetic exploration of the displacement of a migrant body within a foreign space. Through the skeletal structure of an inside/outside space, the viewers are invited to engage with the anonymous figures, muted shadows and ambiguous imagery depicted.
Fabric dye, acrylic, pigment and hand-embroidery on cotton and printed canvas
2017
Printed canvas, acrylic, hand-embroidery, clay
2017
Printed canavs, acrylic, hand-embroidery
Printed canvas, acrylic, cotton fabric, hand-embroidery, 6 buttons
Dolphin Gallery, 2018
Printed canavs, acrylic, clay, steel, bread basket, hand-embroidery
2018
Bread Basket
2017
Printed canvas, acrylic, fabric dye, hand-embroidery, clay
Hanwoven Mohair cotton, wool, wax, fabric dye, hand-embroidery
Acrylic on printed canvas
Printed canvas, fabric dye, cotton, steel
Printed canvas, acrylic, fabric dye
Printed canvas, cotton, acrylic, dye, hand-embroidery
Clay, Wool
Printed canvas, acrylic, fabric dye, wire